一位现居意大利都灵的英国策展人、作家和博士研究员。他最近策划的展览包括：马尔科姆·穆尼（Malcolm Mooney），《Can Yoo Doo Right》（Max Mayer，杜塞尔多夫，2023）；Bernhard Schobinger，《Gimme Danger》（Martina Simeti，米兰，2023）；Fausto Melotti，《Theatre》（Hauser & Wirth，伦敦，2022），以及《Exhibition as Image》（80WSE，纽约，2021-2022）。Demircan还曾在都灵的 Pinacoteca Agnelli、阿斯彭的Aspen Art Museum和卡塞尔的Fridericianum 等地策划过展览。2017 年，Demircan 入选纽约歌德学院（Goethe-Institut）的策展人驻留计划，在纽约市的 Ludlow 38策划了为期 12 个月的展览和活动。2012 年至 2015 年间，他在慕尼黑艺术协会（Kunstverein München in Munich）担任策展人，2016 年在慕尼黑美术学院（Munich's Academy of Fine Arts）担任驻校策展人。在此之前，他曾策划过一个为期两年的异地项目，以及在英国苏森德海滨Focal Point Gallery举办的Kai Althoff作品展《Kaiki》。Demircan 还发表过许多关于艺术实践的文章，他的文章刊登在《Art Monthly》、《frieze》和《Texte Zur Kunst》等期刊上。
A curator, writer and doctoral researcher based in Turin, Italy. Recently curated shows include Malcolm Mooney, Can Yoo Doo Right at Max Mayer, Düsseldorf (2023); Bernhard Schobinger, Gimme Danger at Martina Simeti, Milan (2023); Fausto Melotti, Theatre at Hauser & Wirth, London (2022), and Exhibition as Image at 80WSE, NYC (2021-22). He has also curated shows at Pinacoteca Agnelli, Turin; Aspen Art Museum, Aspen, and Fridericianum, Kassel. Demircan was the 2017 recipient of the Goethe-Institut New York’s curatorial residency program, Ludlow 38 in NYC, where he curated a twelve-month program of exhibitions and events. Between 2012 and 2015 he was a curator at Kunstverein München in Munich, and in 2016, curator-in-residence at Munich's Academy of Fine Arts. Previously, he curated a two-year program of offsite projects, as well as Kaiki, an exhibition of works by Kai Althoff at Focal Point Gallery in Southend-on-Sea, UK. Demircan has published on numerous artistic practices; his writing regularly appears in periodicals such as Art Monthly, frieze and Texte Zur Kunst.
