展期 Period：
2023.5.21—2023.6.24
艺术家 Artist：
策展人 Curator：
地点 Venue：
前言 Introduction：
每个人都在面临着一场前所未有的挑战，即与常规和习惯的角斗。水杯的凸透放大着对琐碎事物的视而不见，生长为了我们意识中的禁忌之物。迫切要摧毁的是惯性，而要激发的是对新范式的探索。这种背反并非仅限于现象层面，艺术家渴望实现一种形而上的和解，不止于物质表象的对抗。更形象地讲，这是一种对觉醒，对细小之处的关注的催化。
我们即将面对的是一个典型的后现代境域，以拓扑的方式延展开来。不再存在直白的，原初的界域性符号；剩下的只有间接性话语，不曾容贯的平面，以及未成型的物质。
不必再增加更多模型，事实是只能多次踏入这条河流。
Everyone is facing the unprecedented challenge of wrestling with routine and convention. The convexity of the water glass magnifies the blindness to the trivial, growing into something forbidden in our consciousness. What is desperately needed to be destroyed is the inertia, and what is to be inspired is the search for a new paradigm. This contradiction is not limited to the phenomenal level; the artist aspires to achieve a metaphysical reconciliation that goes beyond the confrontation of material appearances. More figuratively speaking, it is a catalyst for an awakening, a concern for the frivolous.
What we are about to face is a typically postmodern realm, extended in a topological manner. There are no more straightforward, primordial bounded symbols; all that remains are indirect discourses, planes of inconsistency, and unformed matter.
There is no need to add more models, the fact is that one can only step into the same river several times.
