展期 Period：
2022.9.3—2022.10.30
艺术家 Artist：
地点 Venue：
前言 Foreword：
宋元元的新画里，在那些混乱的拼贴、凶猛的解构，在物与物的暴动之间，是否可以读解出来“悲痛”的基因图景，或者将之简写，在一种关于庄严的倒置与重绘中，至少能觉察到一种忧郁的目光。
“木屋”与“阴影视角”，可能是宋元元相对熟悉的绘画结构，反复折射，由象征迈入现实性——或者说，所呈现出来的是黑洞的外展，无限的反面，其内部线条不再属于球体，而是柔韧的曲面，从而进入另一种透视的想象。
较之重大的时代符号，这些画作关乎于绘画或摄影，元素更具性格，间离的童话叙述，背反的并置效果，对于剖面图或者涂鸦场景的二度摧毁，以一种最为直接的方法承载。这种想象与探究就在“线索”这一系列作品之中。
——班宇
In Song Yuanyuan's new paintings, in the chaotic collage, the ferocious deconstruction, and the riot of objects, is it possible to read the genetic picture of "grief", or to abbreviate it, in a kind of inversion and redrawing of solemnity? At least a melancholic gaze can be perceived.
“The Lodge”and "Shadow and Perspective", which may be a relatively familiar structure of Song Yuanyuan's painting, are repeatedly refracted, moving from the symbolic to the realistic - or rather, it presents the outreach of black hole, the opposite of infinity, whose internal lines no longer belong to a sphere but to a flexible surface, thus entering another kind of perspective imagination.
These paintings are more about painting or photography than significant symbols of the times. The elements are more characterized: the intermittent fairy tale narrative, the juxtaposition effect of the backwards reversal, the secondary destruction of the profile or graffiti scene, all carried in a most direct way. This kind of imagination and inquiry is within the series of works "Clues".
——— Ban Yu
