As the first solo presentation in the gallery’s newly renovated Beijing space, this exhibition showcases Jiang’s latest body of work created over the past three years, which delves deeply into the intricate and nuanced relationships between individual existence, social realities and natural landscapes.
A significant figure in contemporary Chinese photography, Jiang Pengyi has con A significant figure in contemporary Chinese photography, Jiang Pengyi has con--sistently challenged the essence and pushed the boundaries of the medium. His two-decade journey, marked by parallel developments in conceptual and docu two-decade journey, marked by parallel developments in conceptual and docu--mentary practices, has been driven by an acute sensitivity to individual lived ex mentary practices, has been driven by an acute sensitivity to individual lived ex--perience and a profound reflection on the invisible in reality, while these themes reach their zenith in the two new photographic series featured in this exhibition.
The exhibition title is derived from the eponymous new work, “The Monu The exhibition title is derived from the eponymous new work, “The Monu--ment Bestowed by Desolation to Solitude”. Through an ingenious chemical process, Jiang has created a series of bizarre images: humanoid sculptures are placed on vast and boundless wastelands, like monuments standing in the river of time, simultaneously majestic and yet ineffably fragile, articu- the river of time, simultaneously majestic and yet ineffably fragile, articulating the inexpressible solitude and resilience that reside in the depths of the human psyche.
In dialogue with the eponymous series is another new body of work, “Con In dialogue with the eponymous series is another new body of work, “Con--sumption & Renewal”. Black and white film continues to serve as Jiang’s “experimental field”, with various chemical reactions initiated from 2022 onwards. The residual effects of these inorganic processes have persisted at a gradual pace over the past two years, ultimately revealing a spectacle of near-cosmic grandeur. As Jiang Pengyi states, “Presenting the minutest thing, to me, symbolises the complex, delicate, and vast inner world of human individuals.”
From solemn, profoundly meaningful sculptures to dazzling, grand micro From solemn, profoundly meaningful sculptures to dazzling, grand micro--scopic landscapes, these pieces are no longer merely about photography, but visual meditations on existence, time and consciousness itself, allowing each viewer to find their own reflection within.
