展期 Period：
2023.12.9—2024.1.14
艺术家 Artist：
安基宕 Anjin Dang、懒栏 LazyBackHome、杨明 Yang Ming
策展人 Curator：
林书羽 Lin Shuyu
地点 Venue：
前言 Introduction：
天马行空随机生发的想象，早已暗自落入了锈迹斑斑的思维轨道中。一帧一帧按着有机的顺序循环播放。自在地游走于无主之地的边界，却也无端成为了有节奏的重复机械运作。不同维度的信息和图像被困在电子屏幕上，超高赫兹帧率将其无情地打碎成滴落在沙漏底部的细沙，与尚存在缝隙中被塑形的幻想随机错落地组合成了披着神秘外衣的类生命体。在颠倒的望远镜中，一切都显得无关紧要，如同象背上的蚂蚁。足够的勇气被视为懦弱，伸出想要触碰的双手也成为了不齿逃避和退却的信号。迂回在角落的观察者，试图躲入幸免于虚拟数字化飓风的侵袭之地，也被误认作小心翼翼向前踱步的愚人。闪烁着的巨大屏幕之前，是新纪元下盲目的狂欢，清醒的桂冠不由分说地被颁发给聚光灯束远处的局外人。而当这种加冕仪式由迷失的大多数主持，旁观者向后半步，投身虚无是其惯用的欺骗动作，发出宽容的嘲弄后只留下了无法破译的演讲稿。
The whimsical imagination that sprouts randomly, has long fallen into the rusty tracks of thought. Shot by shot, it cyclically plays out in an organic sequence. It freely roams the boundaries of unclaimed territory, yet unwittingly becomes a rhythmic, repetitive, and mechanical operation. Information and images from different dimensions are trapped on electronic screens, mercilessly shattered by ultra-high-hertz frame rates into fine sand that drips to the bottom of an hourglass. Within the crevices, fantasies take shape and randomly combine, forming a lifelike body cloaked in mystery.In the inverted telescope, everything seems inconsequential, like ants on an elephant's back. Sufficient courage is perceived as weakness, and reaching out hands for touch becomes a signal of disdain for evasion and retreat. The observer, maneuvering in the corners, attempting to escape the onslaught of the virtual digitized hurricane, is mistaken for a fool cautiously taking half a step forward.Before the flickering giant screen, there is a blind revelry in the new era, where the sober crown is indiscriminately awarded to outsider illuminated by the spotlight in the distance. As this coronation ceremony is led by the lost majority, observers take a half-step back, engaging in their habitual deceptive maneuvers into the void, emitting tolerant mockery, leaving behind an undecipherable speech after the taunting.
