卡琳·桑德 Karin Sander ( b.1957 )

Photo: Courtesy of Artist Studio

1957年出生于德国本斯贝格。她曾就读于斯图加特国立美术学院和纽约惠特尼博物馆的独立学习项目。 1999年至2007年,桑德担任柏林魏森湖艺术学院教授。 2007年至2023年,她在苏黎世联邦理工学院担任艺术与建筑教授。自2021年起,艺术家担任柏林艺术学院视觉艺术总监。 2023年,她被选为代表瑞士与艺术和建筑历史学家 Philip Wurzel 一起参加威尼斯建筑双年展。

她的工作涉及情境、社会和历史背景,涉及对现有结构和机构的干预。作品实现的媒介是绘画、雕塑、电子媒体、科学、建筑;简而言之:每种媒介都可以发挥其特定的潜力。作品、接受者和机构的交集、发现的内容和添加的内容、存在和缺席的交集都得到了强调和展示。例如,她的“邮寄绘画”(2004年开始),各种形状的标准尺寸和涂有底漆的画布,在没有任何保护的情况下被送往展览;在不断展示的同时,它们收集并展示他们旅程的痕迹和标记。


Born in 1957 in Bensberg, Germany. She studied at the Staatliche Akademie der Bildenden Künste in Stuttgart and at the Independent Study Program of the Whitney Museum in New York. From 1999 to 2007, Sander was professor at the Kunsthochschule Berlin-Weißensee. From 2007-2023, she held a professorship of Art and Architecture at ETH Eidgenössische Technische Hochschule Zürich. Since 2021, the artist has been the Director of Visual Arts at the Akademie der Künste Berlin. In 2023, she was selected to represent Switzerland at the Architecture Biennale in Venice together with the art and architecture historian Philip Ursprung. 

Her works with situations, their social and historical contexts, involving interventions in existing structures and institutions. The medium the work is realized in is painting, sculpture, electronic media, science, architecture; in brief: each medium is available for working out its specific potential. The intersection of work, recipient and institution, of what is found and what is added, of presence and absence, is emphasized and exhibited. Her Mailed Paintings (begun in 2004), for example, standard-sized and primed canvases of various shapes, are sent to exhibitions without any kind of protection; while being on display constantly, they collect and display traces and marks of their journey.

食物、物与日常

Keep See, Keep Seeing

2024.7.27—2024.10.20
金鹰美术馆 G Museum 南京